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  • While not the first review of Mack Wilberg’s Requiem, this review by a contemporary fellow composer may bring to light several insights not previously illuminated. Wilberg’s Requiem is unique in at least three ways: First, it represents a historic departure from previous works by Latter-day Saint choral composers in that it is a requiem rather than an oratorio; second, it is singular given the circumstances under which it was composed; and third, it contributes significantly to a dynamic artistic direction for the Mormon Tabernacle Choir organization originally set in motion by former director Craig Jessop.

  • Guy L. Beck’s scholarly and innovative book explores religion through music. It elevates and emphasizes the critical role of musical activity in religious life. Rather than discussing music as an aesthetic supplement to religion, Beck’s book takes the approach that music is not incidental in religious practice but is a sacred treasure central to the growth and sustenance of world religions. Sacred Sound promises to be a milestone in the growing cross-disciplinary study of religion and music and includes a CD of musical examples.

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